Girl Incredible from award-winning young adult author Patti Larsen, is now out in paperback.
I was thrilled to work on the custom interior design for this book!
Inspired by early reviews, I brainstormed a list of empowering words and typeset them in the script font from the cover to use as watermarks on the chapter start pages. We added in some illustration chapter starts (some illustrations pulled from the cover and some new), to complete over twenty different chapter starts for this design.
I am so happy with how this book turned out! Girl Incredible is available in paperback from amazon.
Here’s a sample of the design:Read More
2015 started with exciting new book projects, and here’s the first. I had so much fun on this project and as I finish up design on the cover of the second book, I can’t wait to work on the rest of them!
So very different from anything Patti Larsen and I have done before, the original inspiration to communicate Kit’s unfailing optimism was girl power, superhero treatments and lots of sparkly stuff. During the creative process, I felt the need to explore the quirky side of Kit’s personality by incorporating hard crafted elements, and the branding for the series was born.
Patti plans multiple books in this series, spanning three years of Kit’s life. Patti and I have plans to subtly change the covers over time to reflect Kit’s aging.
Plans are also in the works for a print version ready for this spring.
Girl Incredible is now avaialble from amazon and other online retailers.Read More
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On the final day of Author Goodies, we’re talking design and layout advice…perfect if you need to format for e-book conversion or looking for tips when designing a cover.
E-book Formats and Formatting
Blog posts here at dog-earbookdesign.com:
The K.I.S.S. Principle
Good articles by others:
A good high-level overview to e-book formats and approaches to making them from BubbleCow.
For those of you who are HTML and CSS savvy, here’s the guide from Guido Henkel.
By yours truly and featured earlier this year at Upgrade Your Story: 10 tips from a cover designer
The 6 Principles of Design from J6 Design in Australia.
From noupe.com: Graphic Design Theory: 50 Resources and Articles
Thank you so much for following The Twelve Days of Author Goodies!
If you’ve picked one thing that makes the business of writing easier for you, then I’m thrilled. I’d love to know what was most helpful to you, so please leave a comment below and let me know. Or did I miss something you were hoping to see here? What was it? I may feature it in an upcoming blog post.Read More
Jerry originally had an illustrated cover in mind for this satire. I provided a second option, developed as part of the design process, which Jerry selected with almost no revisions.
Congratulations on the launch Jerry!
Top Dog is available now in Kindle format at amazon.Read More
I was thrilled to work with Roger Gordon on his memoir, Starting To Frame.
Roger tackled many important issues in this work, including mental illness, and I am proud to have played a small part.
Roger provided all the images for the cover, and we worked together to create this design. Legibility was a top priority for Roger, who has a family member with a vision impairment.
One of the challenges of the front cover artwork was the digital removal of another person in the ‘present day’ photo. Luckily, Roger had two shots to work with.
Click on the cover above to have a better look at the final product.
For the interior of the printed book, Roger chose to start with a pre-designed interior and make some changes, again to maximize legibility for his readers.
Roger’s book is now available at Amazon and other online retailers.Read More
Thanks for stopping by. Over the next couple of blog posts, I’m taking a closer look at images and what you need to know about them when working on your own cover or with a designer.
There are 2 basic types of digital images…bitmap and vector.
Bitmap images are made up of pixels within a grid structure. Photographs are good examples of bitmap images.
Sometimes you will hear these referred to as pixmap or raster images. There are technical differences between these terms, but for the purposes of this discussion we will use the term ‘bitmap’.
Pixels are little square blocks of color where each pixel can only contain one color. The grid structure defines the location of an individual pixel in the image. The number of pixels in an image (expressed in pixels per inch, or ppi) determines the amount of detail in the image…the more pixels you have, the higher the detail possible. Because these files are made up of a finite amount of pixels, scaling the image (making it larger) can be difficult.
Vector images are made up of curves, points, lines and other geometric elements. Logos are typically built as vector images.
The curves, points and other elements that make up vector images are based on mathematical equations. Because the files are based on mathematical equations, the equations can be recalculated so the vector image can be scaled (made larger) with no loss in quality. The image is the same quality whether it’s small (like a one inch square) or it’s been blown up very large (like on a billboard).
Bitmap images in detail
Let’s use this image of mine, because I have Spring on the brain (now that it’s finally here in Nova Scotia!), to demonstrate pixels in a bitmap image.
Let’s look at those pixels a little closer. Bitmap images are computer code that describes the image pixel by pixel based on a grid structure. That’s why a pixel can be only one color.
See the squares? Those are pixels. To see the pixels in your image, zoom in as close as you can using your image editing software. The larger the image, the closer in you will have to zoom to see each pixel.
Bitmap images are resolution dependent, meaning that they cannot be enlarged without loss in quality. This is really important to keep in mind when choosing an image for your cover. The larger you want to make the image or the closer you want to crop (zoom in) to an element of your image, the larger the image will need to be.
Changing the size of a bitmap image is basic math. I know some people and math don’t get along, so I’m going to show this visually:
In this 5 x 5 pixel checkerboard image, each pixel is either gray or white.
Now look at what happens to the pixels when we resize that image to 10 x 10 pixels:
Now each gray or white square takes up four pixels of space. It’s been doubled in size both horizontally and vertically, so each square is now four times as big. With this kind of exponential enlargement, the quality of the image will degrade quickly.
Here’s an image of a mallard duck I took a couple of months ago. The original image is 4608 x 3456 pixels in size. I created a smaller version of the same image that’s 1050 x 788 pixels in size. Let’s compare both files at 400% magnification, so we can see the pixels in both sizes.
Click on each image to make them bigger and use the back button to return to this post.
Can you see the difference in the size of the pixels? Can you see the level of detail is different too? This difference may seem subtle on screen and you may be ok with the quality of the second image for your e-book cover, but if you are planning a print version of your book, read on.
Resolution differences between computer screens and printed versions
Are you planning a printed version? If you are using bitmap images, you will need to start with larger files.
Standard screen resolution is 72 pixels per inch. In screen resolution, a 6 inch x 9 inch image used at 100% size would measure 432 pixels x 648 pixels.
Standard printing resolution is much larger…300 pixels per inch. So the same image, to print beautifully at 100% size, should measure 1800 x 2700 pixels (not including any extra you need for bleed).
Tip: If you are planning to use your bitmap images in printed promotional materials, keep in mind the largest size piece you are planning and build your bitmap artwork to that size for best results.
Now, Photoshop and other image editing programs try to combat this with a process called image interpolation or enlarging, where the software uses algorithms to “guess” at what color the new adjacent pixels should be. The results can vary widely depending on the software and version. Newer versions of Photoshop do a decent job of enlarging images to a certain point.
Tip: I always recommend starting with a larger image when possible. Removing extra pixels is easy. Adding extra pixels is hard.
You will see bitmap images in many file types, like JPG, TIF, PSD (Photoshop file), PNG, GIF, and others. EPS and PDF can also support bitmap images and well as vector images. So, file format alone is not always an accurate indication of whether an image is bitmap or vector. Bitmap files can even be exported to vector file format with typically disappointing results (lots of jagged edges).
Tip: Always check the file to be safe. Zoom in as far as you can and if you see pixels, it’s a bitmap.
I hope this sheds some light on bitmap images. Next time we’ll have a look at vector images.
Is there a topic you have been meaning to research and just haven’t got the time? Comment below or send me an email…let me know what you want to know. I’ll do the research for you and write about it in a future blog post.Read More